Learn to Freelance Workshop–Feb. 2012

post details top
Mar 9th, 2011
post details top

I’ve just finalized details of my Fiction to Freelance workshop I’ll be teaching online in February 2012 for the Lowcountry RWA group. If you’ve ever wanted to learn the nuts and bolts of freelance writing–how to break in, how to write a query, where to find markets and how to make ideas–you’ll want to sign up. Even if you’re got no experience writing, you’re welcome to join us!

I’ll post registration details once they are ironed out and the workshop info is posted. In the meantime–happy writing!

Book Reviews for Writers

post details top
Sep 8th, 2011
post details top

Five Ways to Make Social Media Work For You

post details top
Feb 25th, 2011
post details top

Five Ways to Make Social Media Work For You

(Camp Business Magazine, May/June 2011)

The Art of Creating a Writer’s Mission Statement

post details top
Feb 3rd, 2011
post details top

Need Motivation and Focus?
The Art of Creating a Writer’s Mission Statement

by Beth Morrow

Copyright 2007 – All Rights Reserved
Ready for a quick writer’s quiz?

In one or two sentences, answer these three questions about the last piece of writing you completed (or started with the intention to complete, even if you didn’t quite get finished):

  • Who was the intended audience/reader of your piece?
  • What was the single most important point of your piece?
  • If the reader thought about your piece one week after reading it, what do you think their dominant impression/recollection would be?

Difficult, isn’t it?

Having a creative mind is positive in many ways: mental flexibility, the ability to think outside the box, creative types are often more optimistic and willing to take on challenges and the level of attention to detail and observation in the creative mind is far more finely tuned than the average person. On the other hand, at times, the sense of limitless possibilities throws writers for a loop when we face the issue of narrowing ourselves, our ideas and our writing—even when it’s a necessary evil.

Spending a little time, then, at the beginning of each new project to create a writer’s purpose, or mission statement, for the project you’re about to embark upon is one way to help stay motivated by focusing your imaginative mind on the initial goal you set out to accomplish. New problems and promising project ideas that seem to inevitably pop up when we’re deeply entrenched in one piece of work divert our attention and sometimes subconsciously sabotage our best efforts to remain focused on the work at hand—a curse of the creative mind. Creating a mission statement for each project can help regain—and retain—that spark of excitement that will drive us to completion of our work.

But how to create a writer’s mission statement? It isn’t as intimidating (or time-consuming) as it sounds. A successful writer’s mission statement contains only two crucial items:

  • What you wish/plan to accomplish with this piece of writing
  • How this piece of writing will contribute to the life of the reader

A few sample writer’s mission statements…

 

The mission for my cooking columns is to bring readers a new recipe with a family story each month. I want readers to remember that food is an integral component to creating positive family memories.

The mission of Mandi’s Lucky Day is to help readers escape reality for a few minutes and spark the belief that the possibility of love can show up when we least expect it.

The mission of my research article on Bats of the Midwest is to inform readers about the agricultural benefits of bats. My hope is that readers will no longer fear bats or see them as nuisances or Halloween decorations, but realize their presence is crucial to the ecosystem.

The mission of my interview with Lloyd Carr is to show the human side of a football coach who impacted the life of his players in many positive ways. I want readers to feel there’s more to a coach than the legacy of a losing career record against his arch rival.

The mission of my book reviews is to share insight with writers on the contents of a book that might help their career or writing processes. I’d like readers to be concurrently entertained and informed.

Mission statements should vary by project and type of writing. The mission statement you create for your short horror story obviously won’t work when you begin a nonfiction feature on types of dog treats. You can create a mission statement for each genre of writing you do: one mission statement for your nonfiction educational articles, another for your romance novels and yet another for your copywriting business. Or you can craft individual mission statements for each project as you go. The most important reason for taking a few minutes to create a mission statement is to maintain motivation and focus toward the writing goals you’ve set for yourself.

Once you’ve created the perfect mission statement, don’t hide it in the drawer along with your last unfinished story. Make copies, post them in places where they’re most likely to inspire you, both as you’re writing and when you aren’t. Use them as mantras to keep focus on your writing when you aren’t sitting down to write, and you’ll find your mind naturally settles faster when you do begin to write.

Creating a writer’s mission statement takes but a few minutes of focused thought and can pay off with increased motivation, determination and focus toward finishing your writing projects. Spend some time thinking through what you want to leave behind when the reader finishes your piece and you’ll find an added level of success to your projects. Start small, and use writer’s mission statements as guidelines for yourself and your career. If you don’t know where you’re going and why, how will you ever know you’ve arrived?

About the author: Beth Morrow has many missions in life, one of which is to write as much as her fingers can handle. Her first fiction short story, Mandi’s Lucky Day, is an upcoming release from The Wild Rose Press, and she’s currently knee-deep in research for an upcoming business book. Visit her online at: www.bethmorrow.com or her blog at: www.writer-in-progress.blogspot.com

*originally published at www.writer2writer.com

How to Write List Articles Every Editor Will Love

post details top
Feb 3rd, 2011
post details top

*originally appeared at www.writer2writer.com

How To Write List Articles Every Editor Will Love

Copyright Beth Morrow
- All Rights Reserved
Outlining, drafting, revising…markets, queries and clips. The process of creating an article for publication is a long one, subject to as many changes as the day has minutes. Regardless of how you get those ideas onto paper, one perpetual gate keeper holds the key to your seeing your work and byline: the editor.

Ask ten editors what they’re looking for in a list article and you’ll get ten very different responses based on the readerships they serve. While their topics needs are specific to their audience, the elements of a successful list article bridge publications. Read on to discover three valuable secrets to help get your list articles into print from the editors themselves.

  1. Fresh, new spins on old standbys.

Editors are eternally in search of a new angle on an old yet reader-favorite topic. “An excellent list article gives a new twist to a common theme,” says Gregory Kompes, editor of the writing ezine at FabulistFlash.com. “The list expands the possibilities for that idea, yet stays on one basic concept.” C. Hope Clark, editor of several writing newsletters at FundsForWriters.com, agrees. “What separates an excellent list article from an average one is that the list is unusual to begin with. When these items are aha! items that have not been done a million times, it makes for an interesting read.” Clark also adds that “Novelty is important. [Good writers] deliver a list with attitude, humor and a strong voice to make age-old, sage advice sound fresh.”

  1. Tailor the length, tone, verbiage and purpose of your article to reflect the publication.

Beth Erickson, editor of the freelancer-focused Writing, Etc. at FilbertPublishing.com notes, “An excellent list article targets our audience. I know, standard advice. But the majority of queries do not fit this agenda. If you even remotely research the audience a publication caters to, you’ll fly far ahead of any competition you may face.” According to Cheryl Wright, editor of the Writer2Writer.com ezine, “One reason for rejecting articles is that the writer doesn’t understand the subject matter covered by my ezine.” Remember: editors are filters for the reader. Please them and you’ll please the audience.

  1. Be the professional writer they won’t forget.

“I genuinely appreciate professionalism. I love enthusiasm. Send me a professional, enthusiastic writer who knows my audience and you’ll find a very happy editor.” shares Erickson.

Monica Poling, editor of the Writing Sparks newsletter from OnceWritten.com, mirrors Erickson’s sentiment. “I automatically delete email without the sender’s name in the body of the email. If the writer doesn’t realize they’re sending a business letter when querying me I can’t be sure they understand other business practices.”

Regardless of the audience they serve, editors want to work with writers who give the readers what they’ve come to expect. “Make an editor’s life easier,” says Beth Erickson, “and you’ll have a good shot at a long-term working relationship.”

About the author: Beth Morrow is a freelance writer who lives for writing—and reading—list articles. Currently at work on final edits for a business book, she hosts a daily blog for writers at www.writer-in-progress.blogspot.com Visit her on the web at: www.bethmorrow.com

Don’t Schmooze, You Lose: The 5 Ps of Networking for Authors

post details top
Feb 3rd, 2011
post details top

*originally published at www.writer2writer.com

Don’t Schmooze? You Lose: The 5 P’s Of Networking for Authors

Copyright Beth Morrow
- All Rights Reserved

One element of writing that strikes fear in the heart of the author is speaking up in the name of self-promotion. Not all writers are introverts, of course, but many writers are uncomfortable when the time comes to meet new people, break out of their comfort zone and approaching someone who can potentially help our career.

There’s both good and bad news about expanding your circle of literary colleagues. Bad news: You must speak up to become successful. Good news: Networking is easier than you think.

How easy? Check out this list and see for yourself:

1.      Successful networking is personal

Networking is based on the premise of breaking large groups of people into individuals who can benefit the author’s career in some capacity. Think beyond the typical editor and agent here: published authors who can share invaluable advice, professionals who have research knowledge crucial to your plot, other writers looking for critique partners, email loops or goal-setting groups. Building personal relationships in the writing and publishing world is the same as establishing meaningful partnerships in the “regular” world. Others want to get to know you for yourself and your business, just as you want to connect with them, so be respectful and honest from the start. Don’t pry if your new contact is shy; rather, pick a common area of interest (to eliminate pressure) and see where the conversation goes.

2.       Successful networkers areprofessional

If you aren’t published (yet), and even if you are, remember that the impression you leave with your new acquaintance will linger long after your initial discussion has ended. Make your best effort to maintain professionalism at all times, even if the conversation does not go in a direction you would like. Rub an editor the wrong way on the first chance and it’s likely they’ll never forget you in the future—and not for the right reasons.

3. Successful networking is about potential

As I mentioned above, networking is about meeting and connecting with a variety of people from all walks of life who have one thing in common: enriching your life in some way. Limiting yourself to the belief that you only want to go to conferences with a certain agent or workshops with one author is a good way to start gaining confidence to attend writing gatherings, but you never know how the others you meet along the way might help. Maybe not now, but writers are one of the most open, caring groups of people who genuinely enjoy helping others. You never know where the next good idea or helpful tidbit will come from. Why not surround yourself with interesting people to help foster your own growth?

4.       Successful networkers are positive

No one likes a complainer, whiner or wimp. Period. It irks others to no end to meet writers, published or unpublished, who gives more reasons to not buy their work (or to not consider them a ‘real’ writer) than enjoying the interaction of a new relationship. If the first thing you do is make an excuse for your writing (“I only write short stories because I don’t have good ideas for longer ones”), complain about the lack of editor/agent interest in your work (you never know who may be a friend or client of those you’re berating), or whine that you never have enough time/energy/creativity to actually sit down and writer (who does?!), it’s guaranteed you’ll turn the other person off—almost immediately. We all have our own personal writing issues, and there is always a time and place to discuss them, but that time is not at the initial stage of a networking opportunity. Save your gripes for later and put on your best smile. If you don’t find confidence in yourself, how can anyone else?

5. Successful networking relies on preparation

Networking is also about promotion. If you’re published, you know this all to well and nothing needs repeating. If you’re not yet published (or newly published), use this time to bolster your image by establishing yourself as a credible, potential author. Business cards are an easy way to do this. Not only does it make collecting information simple, it will jog the memory of your conversation at a later date. Many authors are nervous about tooting their own horn, so practice what you’ll say before you meet others. Compliments are a great way to start a conversation. Volunteering at a conference or writing event often opens channels of communication because talking is a part of the job. Think ahead about topics of conversation you can introduce if you meet someone fascinating but get tongue-tied. Be one step ahead of where you’re starting to get the most from every networking opportunity.

Authors learn early in the publishing game that there’s far more to writing books than just, well, writing. Networking may be intimidating, but it does get easier the more you do it. Take full advantage of every chance you get to network to add friends, increase colleagues and invite readers to your work. Make it your mission to expand your network and your career will reap the benefits.

About the author: Beth Morrow is a freelance author whose writing colleagues (and family) find it hard to believe that she used to be a shy writer. She’s awaiting the publication of her first nonfiction book while jumping back into fiction writing with both feet.

« Previous Entries